Shakespeare's The Globe Theatre
c/o Wikipedia
The original Globes
The original Globe was an Elizabethan theatre built in 1599 in Southwark on the south bank of the Thames, in an area now known as Bankside, one of several major theatres in the area, the others being the Swan, the Rose and the Hope. The Globe was originally built on the opposite bank of the Thames, and was relocated outside of London city limits for financial reasons. The Thames froze over, and the Globe was dismantled and carried across the river, where it was reconstructed. The Globe was owned by a consortium of actors including Richard Burbage, his brother Cuthbert, and Shakespeare, and was constructed from the timber from an earlier theatre, The Theatre, that had been built by Richard Burbage's father, James Burbage, in Shoreditch in 1576. The Globe was the principal playhouse of the Lord Chamberlain's Men, (later the King's Men), the playing company to which Shakespeare belonged. Most of Shakespeare's post-1598 plays were originally staged at the Globe.
The first Globe burned to the ground in 1613, apparently by flaming material expelled from a cannon used for special effects during a performance of Henry VIII that ignited the thatched roof of the gallery. It was rebuilt immediately, this time with a tiled roof, and reopened in July of the following year.
Like all the other theatres in London, the Globe was closed down by the Puritans in 1642. It was destroyed in 1644 to make room for tenements. Its exact location remained unknown until remnants of its foundations were discovered in 1989 beneath Anchor Terrace on Southwark Bridge Road. There may be further remains beneath Anchor Terrace, but the eighteenth century terrace is listed and may not be disturbed by archaeologists.
Layout of the Globe
The Globe's precise shape and size have been pieced together by scholarly inquiry over the last two centuries. The evidence suggests that it was a three-story, 100-foot wide, open-air amphitheater that could house around 3,000 spectators. In one of Shakespeare's plays (the history Henry V), it is referred to as "this wooden O" and on a woodcut of London, it appears round. On this basis, some assume the building was circular, while others favor an octagonal shape. Archaeological evidence suggests the playhouse had twenty sides.
At the base of the stage, there was an area called the 'yard' where people (the "groundlings") would stand to watch the performance. Around the yard were three levels of seating, which were more expensive than standing: the first two were called the Twopenny Rooms and the top level was called the Penny Gallery.
A rectangular stage platform thrust out into the middle of the open-air yard. This stage measured roughly 40 feet wide and 30 feet deep. On this stage, there was a trap door for use by performers to enter from beneath the stage; the area beneath the stage was known as the 'cellarage'. There was a second trap door in the back of the stage that was used for the same purpose. Often the area beneath the stage is also called 'hell,' since supernatural beings such as the ghost in Hamlet enter and exit the stage from this area.
On two sides of the stage were large columns supporting a roof over a portion of the stage. This ceiling was called the 'heavens', and was probably painted with images of the sky. A trapdoor in the heavens enabled performers to 'fly' or descend using some form of rope and harness.
The back wall of the stage consisted of three doors on the first floor and a balcony on the second. The doors entered into the 'tiring house' (backstage area) where the actors dressed and awaited their entrances. The balcony housed the musicians and could also be used for scenes requiring an upper space, such as the balcony scene in Romeo and Juliet. In addition, it could be used as the 'Lord's Room', where higher-paying audience members could pay to be seated -- more to be seen than to see the play, since they would have been behind the performers.
[edit]
The modern Globe
The rebuilt Globe Theatre
At the instigation of Sam Wanamaker, a new Globe theatre was built according to an Elizabethan plan. It opened in 1997 under the name 'Shakespeare's Globe Theatre' and now stages plays every summer (May to October). Mark Rylance was appointed first artistic director of the modern Globe (1995-2005). In 2006, Dominic Dromgoole has taken over as the next artistic director.
The new theatre is 200 yards from the original site, and was the first thatched roof building permitted in London since the Great Fire of London of 1666.
As in the original, both the stage and the audience are outdoors. Plays are put on during the summer, and in the winter the theatre is used for educational purposes, and tours are available.
Although the reconstruction is carefully researched, the original plan was modified by the addition of sprinklers on the roof, to protect against fire, and the theatre is partly joined onto a modern lobby and visitors centre. In addition, only 1,500 people may be housed during a show, unlike the 3,000 of Shakespeare's time (Elizabethans were smaller and less fussy about their personal space than modern theatregoers).
The original Globes
The original Globe was an Elizabethan theatre built in 1599 in Southwark on the south bank of the Thames, in an area now known as Bankside, one of several major theatres in the area, the others being the Swan, the Rose and the Hope. The Globe was originally built on the opposite bank of the Thames, and was relocated outside of London city limits for financial reasons. The Thames froze over, and the Globe was dismantled and carried across the river, where it was reconstructed. The Globe was owned by a consortium of actors including Richard Burbage, his brother Cuthbert, and Shakespeare, and was constructed from the timber from an earlier theatre, The Theatre, that had been built by Richard Burbage's father, James Burbage, in Shoreditch in 1576. The Globe was the principal playhouse of the Lord Chamberlain's Men, (later the King's Men), the playing company to which Shakespeare belonged. Most of Shakespeare's post-1598 plays were originally staged at the Globe.
The first Globe burned to the ground in 1613, apparently by flaming material expelled from a cannon used for special effects during a performance of Henry VIII that ignited the thatched roof of the gallery. It was rebuilt immediately, this time with a tiled roof, and reopened in July of the following year.
Like all the other theatres in London, the Globe was closed down by the Puritans in 1642. It was destroyed in 1644 to make room for tenements. Its exact location remained unknown until remnants of its foundations were discovered in 1989 beneath Anchor Terrace on Southwark Bridge Road. There may be further remains beneath Anchor Terrace, but the eighteenth century terrace is listed and may not be disturbed by archaeologists.
Layout of the Globe
The Globe's precise shape and size have been pieced together by scholarly inquiry over the last two centuries. The evidence suggests that it was a three-story, 100-foot wide, open-air amphitheater that could house around 3,000 spectators. In one of Shakespeare's plays (the history Henry V), it is referred to as "this wooden O" and on a woodcut of London, it appears round. On this basis, some assume the building was circular, while others favor an octagonal shape. Archaeological evidence suggests the playhouse had twenty sides.
At the base of the stage, there was an area called the 'yard' where people (the "groundlings") would stand to watch the performance. Around the yard were three levels of seating, which were more expensive than standing: the first two were called the Twopenny Rooms and the top level was called the Penny Gallery.
A rectangular stage platform thrust out into the middle of the open-air yard. This stage measured roughly 40 feet wide and 30 feet deep. On this stage, there was a trap door for use by performers to enter from beneath the stage; the area beneath the stage was known as the 'cellarage'. There was a second trap door in the back of the stage that was used for the same purpose. Often the area beneath the stage is also called 'hell,' since supernatural beings such as the ghost in Hamlet enter and exit the stage from this area.
On two sides of the stage were large columns supporting a roof over a portion of the stage. This ceiling was called the 'heavens', and was probably painted with images of the sky. A trapdoor in the heavens enabled performers to 'fly' or descend using some form of rope and harness.
The back wall of the stage consisted of three doors on the first floor and a balcony on the second. The doors entered into the 'tiring house' (backstage area) where the actors dressed and awaited their entrances. The balcony housed the musicians and could also be used for scenes requiring an upper space, such as the balcony scene in Romeo and Juliet. In addition, it could be used as the 'Lord's Room', where higher-paying audience members could pay to be seated -- more to be seen than to see the play, since they would have been behind the performers.
[edit]
The modern Globe
The rebuilt Globe Theatre
At the instigation of Sam Wanamaker, a new Globe theatre was built according to an Elizabethan plan. It opened in 1997 under the name 'Shakespeare's Globe Theatre' and now stages plays every summer (May to October). Mark Rylance was appointed first artistic director of the modern Globe (1995-2005). In 2006, Dominic Dromgoole has taken over as the next artistic director.
The new theatre is 200 yards from the original site, and was the first thatched roof building permitted in London since the Great Fire of London of 1666.
As in the original, both the stage and the audience are outdoors. Plays are put on during the summer, and in the winter the theatre is used for educational purposes, and tours are available.
Although the reconstruction is carefully researched, the original plan was modified by the addition of sprinklers on the roof, to protect against fire, and the theatre is partly joined onto a modern lobby and visitors centre. In addition, only 1,500 people may be housed during a show, unlike the 3,000 of Shakespeare's time (Elizabethans were smaller and less fussy about their personal space than modern theatregoers).
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